Wander and Weave

In Defence of Dungarees & Jumpsuits There are people who shop with intention, lists, and self-control. And then there’s me, standing in a store, pretending I don’t already own several versions of the same thing, while reaching for yet another pair of dungarees. Denim or corduroy, preferably. Every time. I don’t fight it anymore. I’ve accepted that dungarees and jumpsuits are not just clothes to me; they’re a lifestyle choice. There is something undeniably joyful about them. They feel youthful without trying too hard, playful without being childish, and chic without demanding effort. They don’t ask too many questions. They simply show up and do the job. Whenever I wear them, I feel like myself, comfortable, a little quirky, and quietly confident, which is honestly the best kind of confidence. What I love most is how these pieces travel with you through the seasons, adapting like old friends. In spring, I reach for lighter denim dungarees layered over a simple white tee or a striped ...

Existing Without a Footnote There was a time when my identity did not arrive with an asterisk. Growing up on the African continent, I moved through life unlabelled. Not because I lacked awareness, but because awareness did not need to be announced. My skin was not a conversation starter. My presence did not require justification. I was not introduced as an exception, a category, or a statement. I was simply a person, living, learning, becoming. I carried that ease with me for a long time, unaware of how rare it was. It wasn’t until I left that world that I noticed how often my existence needed framing. Suddenly, everything came with a descriptor. Art was no longer just art. Business was no longer just business. Creativity had to be contextualized. There was always a word placed before me, as though my work could not stand on its own without explanation. What unsettles me is not the word itself. I do not reject it. I honor it. I recognize its history, its beauty, its resilience. What tr...

Noodles, Nostalgia & Giving My Taste Buds Grace When I moved to Japan, I didn’t just leave home, I left my comfort flavours. The spices I understand. The food I don’t need translated. The meals that feel like muscle memory. So yes, I’ve been homesick. Intensely. Missing food from home in a way that feels almost irrational until you realise food is language, and suddenly you’re illiterate. What makes this entire experience ironic is that I am not naturally adventurous with food. If it doesn’t look like something I recognise, my first instinct is to interrogate it. Cautiously. So imagine being an African girl in Japan, where noodles are not a side character but a main event. At some point someone asked me, “Why do you post noodles all the time?” They said ramen. I heard noodles. And that misunderstanding alone tells you how unprepared I was for this journey. Because ramen isn’t “just noodles.” It’s a philosophy. The first thing I noticed is that ramen announces itself through smell b...

Breathing Stories: The Wearable Art of Panashe Mafoti Some people stumble into creativity. Others trip over it, fight it, negotiate with it. And then there are those who breathe it. Panashe Mafoti doesn’t remember a moment when creativity began for her, because for her, it never arrived with a grand announcement. It simply existed, quietly and constantly, like breath in the lungs. Fashion was never a “cute little hobby,” never something to outgrow. It was instinct. It was language. It was survival. But in 2022, something clicked. Not loudly. Not dramatically. Just honestly. She realised that what she truly loves is storytelling. After years of studying stories through history books, absorbing narratives through films, and observing the world with an artist’s patience, Panashe came to a gentle but powerful truth: I am a storyteller, and I want to do this for life. Right now, that storytelling takes the form of fashion, wearable art that speaks, questions, remembers, and reimagines. He...

Love, Loudly Performed: The Theatre of Modern Zimbabwean Romance This is one of those pieces that sat quietly in my drafts, not because it lacked urgency, but because it demanded honesty, and honesty is rarely welcomed when it disrupts tradition, fantasy, and comfort. But some thoughts don’t fade. They insist. And this one has been knocking for a while. Zimbabwean romantic relationships today feel less like lived experiences and more like stage productions. Carefully curated, loudly announced, and meticulously documented. Everyone is playing a role. Few are actually present. It’s not intimacy we are pursuing, it’s visibility. If you want evidence, you don’t have to look far. Start with roora. What was once sacred, symbolic, and deeply communal has increasingly become a spectacle. Negotiations that should happen quietly now trend publicly. Family matters leak into group chats, social media timelines, and whispered commentary. The ceremony becomes less about union and more about display,...

The Season I Didn’t Understand There is a conversation I once had with my husband that has stayed with me ever since. We were talking about unfamiliar seasons, those moments when life places you somewhere you never imagined, somewhere uncomfortable, lonely, and confusing. And he said something that shifted my entire perspective: sometimes God doesn’t place us in unfamiliar spaces to punish us or test us, but to introduce us to ourselves. When I moved to Japan, I felt deeply isolated. I couldn’t understand why my life had taken this turn, why God would lead me so far away from familiarity, language, culture, and comfort. I complained, often. To my family, to my friends, to anyone who would listen. I felt unheard, unseen, and misunderstood, even by myself. One day, a close friend gently asked me a question that cracked something open in me: “Don’t you think you’re being too hard on yourself? Could it be that your complaining is stopping you from seeing the light at the end of the tunne...

Letting Go to Live Larger There are moments when a few words, written by strangers, shared on quiet corners of the internet, feel as though they were written for you. Not because they are new, but because they finally name what you’ve been carrying in silence. I didn’t save those three posts by accident. I saved them on days when I was tired of being brave. On days when my prayers felt bigger than my capacity. On days when I wondered whether choosing growth meant I was also choosing loss. One of the images spoke plainly: You can’t ask for expansion while clinging to comfort. And I remember putting my phone down and just sitting with that truth. Because comfort has been my quiet companion for longer than I like to admit. Not comfort in the sense of ease, but familiarity. Predictability. Versions of myself I had already mastered. We don’t talk enough about how hard it is to let go of what once protected us. For me, letting go hasn’t looked dramatic. It has looked like unanswered question...

Goodbye 2025, Hello 2026 🎊 There’s something sacred about the quiet pause between years. That gentle moment where we look back before stepping forward. Today, I find myself sitting with gratitude, reflection, and a softened heart as I say goodbye to 2025 and welcome 2026. 2025 was not a perfect year, but it was a purposeful one. It stretched me in ways I didn’t anticipate. It asked me to grow emotionally, spiritually, and creatively. It challenged my comfort zones and reminded me that becoming is rarely loud or glamorous. Sometimes, growth happens in silence, in prayer, in showing up even when you’re tired, unsure, or afraid. This was a year of planting. Planting faith when answers felt delayed. Planting courage when the future felt uncertain. Planting words through Wander & Weave, stories that carried pieces of my heart, my journey, and the beauty of African creativity. Through this platform, I learned that storytelling is not just about being seen, it’s about seeing others. Shin...